STEVE PIECZENIK TALKS

Hollywood Liberals  had  a Major Colonoscopy performed by none other-- than Our “Professionals” at the Out Patient Department for “Sluts And Nuts” aka CIA and The Department of Defense [Military Intelligence].  

“Zero Dark Thirty” – The Fairy Tale story of Osama Bin Laden’s Capture , thanks  to an ‘Obsessive CIA Analyst’- wins the Following Awards:  New York Film Critics Award and The National Board Of Review. 

A non-existent character and a fabricated story-line created by our MI/CIA during the Bush Jr Administration gets credence from director Kathryn Bigelow (our 21st century Leni Riefenstahl).

Brother & sisters, was she taken for a ride!!

 This was the first woman director to have won an Academy Award for “Hurt Locker”.
  Truthfully, I have been a great fan of hers since she first directed a brilliant analysis of phallic instruments and a man’s fascination with killing a cop.  See “Blue Steel”. 

  Then she went on to make “Point Break” –also excellent and a very interesting commentary on how our presidents rob America of their values and wealth.  Next she made "K-19: The Widowmaker" about  a Russian Submarine  and it’s struggling-to-survive crew. 

But now, Kathy bought a story line that was so out of the realm of reality that it unfortunately places her in an imbroglio of determining her independence as a creative film-maker or a propagandist for the US CIA/DOD.

  At this point,  she is without a doubt a MAJOR CIA/MI ASSET that has been ‘doubled’ and ‘burnt’ by her own intelligence  ‘handlers’. 

By the way , this is also true of Ben Affleck, who was clearly seduced, or ‘honeytrapped’ by a nonsensical story of the CIA at their most incompetent and desperate moments in their magnificently failed intelligence endeavor called  The Iran Hostage Siege (“Argo”)

But my purpose  today,  is not to reiterate the failings or success of my former colleagues in the intelligence world but to illustrate how our American intelligence can effectively penetrate all elements and parts of our government, financial institutions, academia, and now Hollywood.  

Sidebar:  Congratulations Academy Of Arts And Sciences—You Have Been Effectively “Honey Trapped” and “Penetrated” by our “Obsessive Penetrating” CIA And Military Intelligence. 

I never thought that I would have to write and even attempt to discuss the ‘absurdity’ of the premise of a film describing a raid on a mortuary somewhere in Pakistan in order to kill a man who had already  been dead for ten years.  

However,  in full recognition to my colleagues in the intelligence field—I take off my hat in admiration at their persistence and  professionalism in both the civilian and military intelligence fields.  

  I have seen ‘terrorist ‘organizations penetrated, country leaders compromised and Labor Unions co-opted,  but I have never an entire self-anointed Liberal Institution like the Hollywood Elite completely ‘doubled’ ---another words, compromised. 

  Bravo to my colleagues in the Association of Former Intelligence Officers and The National Military Intelligence Association!

 Outstanding Performance!
  Now,  as simultaneous member of the Academy of Arts and Sciences [they give out the Oscars] and the Writers Guild of America East and the Producers Guild of America,  please let me explain to my fellow members how badly they had been ‘penetrated’ by our superb American Intelligence Apparatus.   And how much they the elite and our American taxpayers paid for that ‘psychological proctoscope’. 

First, my congratulations  goes to the Howard Koch Jr, The President of the Academy.  In full disclosure,  I have met him several times at the Paramount Building and his close friend had optioned one of my properties a couple of times. 

Mr Koch,  I am certain,  you knew exactly what you  were doing when the representatives from the CIA and DOD informed you and Kathy that there were some ‘interesting CIA’ espionage stories that could be filmed. 

  You see without your knowing approval and that of Vice President, Kathleen Kennedy, a staunch Liberal and protogee of the Hollywood Strong Man—Steven Spielberg—there was NO POSSIBILITY for you or the Academy to make or release this film. 

But let’s not get too picky.

 I am certain that Robert Rehme who produced “Clear and Present Danger” and “Patriot’s Games” and had also offered me an opportunity to sell my franchise which I had refused, was also involved in this decision to cooperate with the CIA/DOD and possibly the FBI.  I say that because all the business of the Academy has to go though his Executive Branch Committee and his Audit Committee,  despite the fact that a particular studio made Kathy’s film. 

It is interesting to note that Kathryn Bigelow serves as the Chair of the Director’s Branch Executive Committee. 

 Are you getting the picture now? 

See how incestuous this film industry is?  And how easy it is to penetrate it especially by the CIA/MI?

Once upon a time,  the Academy and Hollywood had much more integrity.  That’s a little bit of the story I would like to share with you.

  Over sixty years ago,  a group of incompetent congressmen [like today] formed a committee to ferret out communists in Hollywood.  They were called the House UnAmerican Activities Committee – or affectionately  known as HUAC. 

  They blacklisted ten major writers including  one called Howard Koch Sr who was not allowed to write in Hollywood unless he and his fellow  ‘travellers’ denounced  all the other members of Hollywood who had been members of the Communist Party. 

  He and ten other members answered by replying that they would not answer the question as to whether they were or were not communists on the basis of the Fifth Amendment.  Our American right  not to incriminate oneself. 

  Most spent time in jail for their contempt of the committee and one or two fled.  One who fled was Carol Foreman,  the director of the famous Gary Cooper [he was from Bozeman, MT]  in “High Noon”,  a story about a sheriff who has to fight the bad guys all alone while the citizens of town refused to help. 

  The only real subversive communist in the group was a man who knew how to play of these incompetent politicians,  and his name was Bertolt Brecht who was in fact not only a communist  but a GRU member [Soviet Military Intelligence] but he got off scott free. 

  There were those directors and actors unlike today who stood up against the government and you will recognize their names: John Huston [director], Humphrey Bogart [actor], Lauren Bacall [actress], Danny Kaye and the Committee of First Ammendments.

  Now, you get the idea how our government can intimidate and coerce all types of people and all walks of life to comply with their collective wishes? 

Unfortunately,  the ugly story of USG suppression did not end there.  The FBI, in their inevitable divide and conquer strategies,  were able to turn one  actor or director against another. 

 I suggest you see the film, “Guilty by Suspicion”.  In order to get a sense of how terrifying  the times were. People were unable to get jobs. They were forced to inform on friends and neighbors.

  Shades of the Patriot’s Act? Gen Michael Hayden, George Tenet, AG Ashcroft, Mueller,  neocons—are you listening?  

  Amazing how our history of noble repression in the name of national security returns again and again. 

But it got really uglier an uglier.  Elia Kazan an infamous director denounced many of his colleagues in the trade and made a movie that glorified the ‘squealer’ called  “On the Waterfront” with Marlon Brando.

  In turn, the great playwright and liberal activist Arthur Miller wrote two screenplays in retaliation to Elia Kazan’s film.  One film was called “A View From the Bridge”  which depicts what happens to squealers  and the other film was based on his play “The Crucible” –based on the infamous Salem Witch Hunts in the 1600 in Massachusetts. 

Finally,  the black list was broken with two films which were finally credited to a writer who could not put his name on any of his films for almost a decade---the films were “Spartacus”  and “Exodus”, both written by Dalton Trumbo. 

 Kirk Douglas is often given the credit for breaking  the ‘black list’ but there were many others.  The first film to actually defy the McCarthyism and the black list was called “Storm Center” starring Betty Davis made in 1956,  concerning a small town librarian who refused to remove a book from library entitled “The Communist Dream”. 

Now in six decades, Hollywood,  once a bastion of liberal progressive thinking  where a Gentlemen’s Agreement of anti-semitism was directly challenged by the actor Gregory Peck or where Black Racism was examined in “Raisin In The Sun” becomes once again corrupted and compromised by suppressive forces in the USG.

Today we have such outstanding features as:

“True Valor” fictious tales of Seal Team Six

“Argo” CIA

“Homeland” CIA

“Safehouse” CIA

“Good Shepard” CIA

“Syriana” CIA  and on and on..

As the CIA and military fail increasingly more often in real life,  their fictional exploits become increasingly more formidable. 

  No one can say that Hollywood is not fantasy land. But no one has ever penetrated our fantasies as much as the CIA and DOD.

  Remember, you don’t have to see the movie by Kathryn Bigelow or even watch the boring Oscars.

If most of you don’t buy the film or pay movie tickets and don’t watch the Oscars, do you know what happens? 

Fantasy land and the CIA have no more money for their Big Brother Propaganda mission.

  Remember money talks and not buying tickets or DVDs or watching TV/Cable shows MAKES A VERY LARGE AND SCARY NOISE IN THE ALREADY FAILING HOLLYWOOD MONEY MACHINE. 

And please don’t forget where the Exit doors are.